Still not getting the mysandry stuff at all. I'm part of the traditional male fanbase and don't feel spurned at all. I think they definitely want more girls getting into SW, so there are way more women in prominent roles now, which is surely a good thing? It's great to see loads of girls dressing up as Rey for World Book Day every year- a nice alternative to Hermione! With Ashoka, we all knew it would be female heavy, due to the Rebels storyline, created by Dave Filoni (a man!). This story is his baby and I don't believe for a moment that he has mysandry in his agenda, neither do I believe any of the KK conspiracy theories, where she waterboarded him into doing it.
Just for reference, the leads in the SW TV shows:
Mando 1- male
Mando 2- male
Mando 3- male
BBF- male
Obi-wan- male
Andor- male
Ashoka- female
It's not the main characters that are the issue, it's what they do to them, although if we're doing a count:
The Farce Awakens - female
Rogue One - female
The Last Insult - female
Solo - male
The Rise of Palpatine - female
The problem stems from how they treat each gender's characters. Rey for example was instantly brilliant at everything; she could fly the Falcon at the first attempt, she was superb with a lightsaber the very first time she used one defeating the far more experienced and trained Kylo, and then ludicrously, also Luke at the first attempt too. She could wield the Force without a single second of training right from the word go manipulating Stormtroopers to do her bidding, etc. She had no hero's journey because she didn't need to make one; she was perfect straight out of the box.
Finn by contrast was treated pretty shabbily (as was poor John Boyega by Disney). He started out mostly OK in TFA, but was then instantly turned into a coward, relegated to a side character and sent on a pointless side-quest in TLJ, just so he could be upstaged by the phenomenally irritating Rose Tico. Poe Dameron likewise started reasonably well, only to be treated like an utter imbecile and insulted to boot by the god-awful Holdo, even though he was in the right.
Luke was so despised by KK she wouldn't even have him in TFA until his 'blink and you'll miss it' cameo at the end, and then we all know the disgusting character and actual assassination of him in TLJ, completely reversing and overturning absolutely everything we know about his character prior to that dreadful film.
Han Solo was turned into a deadbeat bad dad and an idiot who isn't even competent enough to hang onto his own spaceship, before being killed off in TFA.
Lando was held in such utter contempt they didn't even bother including him in the first 2 films, and only wheeled him out for the 3rd one to appease angry fans when they realised they'd done away with Luke and Han.
By all accounts, KK's main focus seems to have been on the sequel trilogy and her self-insert, the amazing wonder Rey, and hence Rogue One and Solo (with another pair of self-insert petite, white brunette leading ladies) were farmed out to others who were more or less left to their own devices (look at how far Lord and Miller progressed on Solo before their work was noticed, deemed unsatisfactory, and Ron Howard brought in). Rogue One was excellent (the only truly good SW film Disney have made, IMHO, albeit a film definitely saved in the edit by all accounts) and is a great example of a strong, likeable female lead character that works well and isn't an irritating Mary Sue. That film was so good we didn't even notice or care at the time that none of the heroes, but all of the villains were white men. With hindsight, KK's influence on the casting is obvious. Solo however worked much less well, in part doubtless due to the troubled production issues, but also idiotic choices like making Phoebe Waller Bridge into a super-annoying robot to upstage Han.
As for the TV stuff, Jon Favreau was reportedly initially left to his own devices for Mando, and succeeded admirably for 2 seasons, even thrilling fans with the return of Luke Skywalker as a hero (something KK and her crowd utterly despised by all accounts. They famously even had a picture of Luke with a red 'X' drawn across his face in the Lucasfilm offices).
Jon included the brilliant Cara Dune, another excellent, believable and likeable female character that the fans quickly embraced. But Gina Carano was right-wing, and hence had to go as she didn't fit KK's woke agenda or her bullshit narrative about fans hating strong female characters (which has never been true), and so they did a hatchet job on poor Gina, seriously slandering her into the process and lying that she was transphobic when she very clearly was not. KK's jealousy of Favreau's success didn't stop there however, since, having crippled the story Jon had prepared beyond season 2 of Mando by removing Gina Carano, the 'Rangers of the New Republic' show that was to star Gina had to be canned, and Mando season 3 and The Book of Boba Fett both needed drastic overhauling, resulting in the messes we were given. Filoni also seems to have been given far more input / control over Mando season 3, which is why we saw Mando pushed aside in his own show and Bo Katan elevated in his place. Paz Viszla (the character played by Favreau) was even killed off, a decision viewed by many as Favreau's coded way of saying he lost his battle to save Star Wars.
The Obi-Wan Kenobi show was originally due to centre on Obi-Wan, Anakin/Vader and a threat to Luke, however KK's Lucasfilm apparently deemed this far too male, and so they invented the unlikeable character of Reva (and bated the fans by calling them racists ahead of the show even airing into the bargain!) and switched Luke to Leia, a move which made no sense at all. Obi-Wan was of course also character assassinated, turning him into weak and feeble loser who's buried his lightsaber and can barely even use the Force any longer. His one and only remaining purpose in life, to watch over and protect Luke, is happily tossed aside when he is ludicrously asked by Bail Organa to track down his missing daughter Leia (because a member of the Alderaan Royal Family would have no security guards of his own to competently protect or track down his kidnapped daughter). And to make matters worse, they made Leia into a super-annoying miniature girl-boss... because of course they did.
Elsewhere, Warwick Davies wasted his time in the 'Willow' TV series, where he too was relegated to a poor secondary character in his own show, and was upstaged by all the brilliant, capable and competent girl-bosses surrounding him (the other male characters featured were all weak and or idiots and or killed off). That show was so dreadful, after its piss-poor ratings Disney removed it from Disney+ as a tax write-off.
And then we come to the 'Indiana Jones and the Dire Dysentery' debacle. KK was so hellbent on destroying Indy's character, portraying him as a weak and feeble old man upstaged at every turn by yet another self-insert in the shape of the phenomenally annoying Phoebe Waller-Bridge's character, multiple very credible sources report that for the longest time KK wanted to kill off Indy and have Phoebe Waller-Bridge's character actually BECOME Indiana Jones. KK is even on record after the film was released, still insisting that Phoebe could yet take over the role.... except that the film was an atomic bomb, which is estimated to lose Disney somewhere in the region of $300 million and hence (thank god) there will be no further Indy with Phoebe.
To sum up, most of the cinema-going and TV watching audience (myself included) have no problem with female lead characters (some of my very favourite film and TV characters are female - Ripley, Sarah Connor, Beatrix Kiddo, Leia, Ahsoka) or in equality. But in KK's world she doesn't want equality; women must always be better than men, who themselves must be torn down and put in their place. She did it with Luke, Han, Finn, Poe, Lando, Obi-Wan, Mando, Willow and Indy. Yes, she absolutely is a misandrist.
I think they need thrawns ship to get back to the other galaxy 
