I know I have asked this before but ... What sort of price can these go for?
The collecting of proofs baffles me how can any authenticity be assured for them. As I may have mentioned before I deal with a lot of printers who will reproduce anything for a few quid and have plenty of musty old stock so the smell etc of aged paper is not a surefire way of maing sure someting is authentic.Plus colour separations etc are easy to do from any artwork, unless you have commercial print training & an eye glass there would be no way of telling the difference between a proof run out in the 80s and one done yesterday
There just seems to be a lot of proofs about for print jobs where there should only be a few proofs per print job/run. I have worked on some very big print run jobs and we only ever have a couple tops. Surely if people are spending enough time to fake mocs it would be even less effort ot knock out a few cromalins.....
Don't want to open a can of worms here just curious.
The collecting of proofs baffles me how can any authenticity be assured for them. As I may have mentioned before I deal with a lot of printers who will reproduce anything for a few quid and have plenty of musty old stock so the smell etc of aged paper is not a surefire way of maing sure someting is authentic.Plus colour separations etc are easy to do from any artwork, unless you have commercial print training & an eye glass there would be no way of telling the difference between a proof run out in the 80s and one done yesterday
There just seems to be a lot of proofs about for print jobs where there should only be a few proofs per print job/run. I have worked on some very big print run jobs and we only ever have a couple tops. Surely if people are spending enough time to fake mocs it would be even less effort ot knock out a few cromalins.....
Don't want to open a can of worms here just curious.